While the forms of existence of art become unlimited, the research aims to reask the question "what is form?". The "relational form" which is the first part of Bourriaud's Relational Aesthetic theory provides a close look at the concept. This inquiry is an attempt to redefine the changing content of the subject, by the contemporary necessities. In this context the two artists Anders Ruhwald and Kris Lemsalu, whose art practices are dealt with applied visual arts and the multi-layered new relationships they reveal within it are examined.
Keywords: Relational, Form, Art, Ceramics, Anders Ruhwald, Kris