Art, is an individual manifesto, a projection to the world about human existing. Independent of time and space, this manifesto conceives a set of positive or negative emotions and considerations on people. The basic fact how people regard art, artists and work of arts is determined from the socio-psychological value system of human beings. When spoken, reflected and felt, art proliferates rather than exhaust, and art is the most enchanting reflection to be a human. In this reflection, the art, the artist's stance and the aesthetic and aesthetic concern are facts, which have to be read separately. Therefore, an artwork cannot be investigated on a positivist perspective with objective criteria. The process is subjective. However, in a work of art, there are things to be told and interpreted. An artwork bears a qualitative value.
In this sense, it is taken for granted that a qualitative value is subjected to a qualitative analysis. In this context, the method of the study is document analysing method of qualitative research model. The objects of the study are works (documents) from “Gulbin Zeren”, which will be analyzed and interpreted psychologically in a hermeneutical approach.
The contents of paintings of the artist are described within the extent of psychological objects as the measure of value.
“Ladder” and “clothes hanging on drying rope” were identified in the works of the artist and were considered and determined as the psychological objects. The psychological object “ladder” in the works is interpreted as a relation of life and death. The psychological object “clothes hanging on the drying rope” is referring to the life. The whole colours of life are here represented. In this context, ladder is an image of abstraction and the clothes hanging on the rope are representing the concreteness of life.
Keywords: Artist Gülbin Zeren, Art, Artwork, Psychological Object, Hermeneutic